![]() Harrow has developed a strong but flawed female character who we follow throughout much of the book with breaks where we are treated to a book within a book. Thankfully, the story itself was equally captivating, somehow toeing the line effortlessly between whimsical and dark. The writing was such that I felt like the story could be subpar and I still would have not wanted the novel to end. Interestingly, Harrow relied on the sense of smell more than any author I can recall to create her literary word, but her descriptions induced clear recollections for the reader due to their own olfaction induced memories. The writing style was eloquent and filled with vivid imagery that was reminiscent of Morgenstern’s The Night Circus or The Starless Sea. I listened to The Ten Thousand Doors of January through audiobook, and was easily hooked after only a few pages. ![]() ![]() The Ten Thousand Doors of January was Harrow’s debut novel in 2019 and after reading this stunning story I was in no way surprised to learn it had been nominated for a Hugo Award. When I saw The Ten Thousand Doors of January on the author, Eliot Peper’s top reads of 2020 I immediately added the title to my TBR, especially with how much I’d enjoyed my first novel by Harrow. Harrow’s writing style and story telling absolutely blew me away, easily making this read on of my favorites of 2020. ![]() In November I picked up The Once and Future Witches based on the positively glowing review of a friend. ![]()
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